Sonnet Paragraph Questions and Answers

1. Write a paragraph explaining how Sir Walter Raleigh uses the English Sonnet form to warn about the pitfalls of growing older.

Sir Walter Raleigh uses the sonnet to warn about the pitfalls of growing older by explaining the outcome, which is death, when the Wood, Weed, and Wag come together. As one gets older, you have more responsibilities and rules to abide by; therefore, Raleigh tells his son, a Wag and "pretty knave," (l. 8) "when they meet, they one another mar." (l. 4) This means that a mark or impression is left when the three elements collide. Next, Sir Walter goes further into detail about the punishment by explaining that "The Wood...makes the gallows tree...(and) The Weed is that that strings the hangman's bag." (l. 6-7) By context, we can infer that the punishment is death by being hung. Last, he warns his son not to cross paths with the Wood and the Weed. In the couplet, Sir Walter Raleigh tells his child that he hopes death is not upon them "at (that) meeting day." (l. 14)

2. Write a paragraph that explains the issue outlined in the octave, and how Rossetti "turns" the sonnet in line 9.

In the Octave of Rossetti's "A Sonnet," he is explaining the importance of a monument once a person is deceased. He tells that a monument is a "memorial from the Soul's eternity...for lustrial rite...(or reverence)." (l. 2, 4, 5) The monument also shows your stamp that you left in the world and it allows people to praise your good work. "A Sonnet is a coin: its face reveals the soul." (l. 9-10) Dante Rossetti "turns" the poem by describing the beauty of a monument and also explaining that it tells a story by its facade, by comparing the monument to a coin. Overall, Rossetti's goal is to show the reader that it is of great importance to have a monument built in your honor once you have passed away.

3. Write a paragraph that gives and explains several examples of imagery and allusion in Rossetti's Sonnet. Include one example from the octave and one from the sextet.

In Rossetti's "The Kiss," he uses great descriptions and creative language to give the reader imagery. This can be shown in the octave in which Rossetti writes, "With these my lips such consonant interlude as laurelled Orpheus longed for when he wooed." (l. 6-7) Also, within the sonnet, we are given amazing depictions when we read, "When breast to breast we clung...a spirit when her spirit looked through me." (10-11) In "The Kiss," the author makes an allusion to the Greek musician, Orpheus, to compare his feelings and reality to that of the musician's. Words and descriptions such as "smouldering senses," (l.1) "malign vicissitude," (l. 2) "soul of wedding-raiment," (l. 4) and "half-drawn hungering face" (l. 8) provide the reader's imagination to run wild with vivid pictures.

Skukura Woods

Battle of the Sexes

Question:

Using The Canterbury Tales by Geoffrey Chaucer, what can one infer about women by the way Chaucer portrays relationships throughout the book?

Essay:

It is easy for someone to be misled and make a false assumption about another person by the way they are portrayed. Geoffrey Chaucer, who at times seems like a sexist or misogynist by the way he portrays women in The Canterbury Tales (Tales), is not misleading the reader, but in fact he is actually making a strong statement about the difference between an older more experienced woman and a young flirtatious woman. He does this by the reoccurring themes of unholiness and unfaithfulness of women in The Wife of Bath, Miller's, and Merchant's Tales.

Throughout The Canterbury Tales, youth, beauty and wealth are valued, and poverty-stricken middle-aged women are looked down upon. According to the Tales, it is believed that a woman who attains "beauty and youth...(equals a) life of ease, a holy life," (367) despite the fact that the tales show otherwise. On the other hand, women who are old force men to wonder, "What sin have I committed," (287) as if having a wise, older woman as a spouse is a curse and punishment. Most young women are adventurous, with "no restraint (nor) discipline." (358) A marriage, especially to someone who is "jealous, (and keeps) her in a cage," (89) can tempt one to seek a mate that is equal in age; for, "youth and old age (is always) in debate." (89) Yes, it is true that the older man is most likely wise and could provide monetarily for his youthful wife, but at the same time, their goals are different. For instance, in The Merchant's Tale, sixty-year-old lecherous January, wanted to wed a virgin purely to "beget an heir" (357) and "have some pleasure of her." (376) Coinciding, the fresh and young May, the spouse, still found compassion in her heart and longed for the fairy-tale romance that she found with Damian, the adolescent squire. A similar instance happened in The Miller's Tale, in which "he (was) old (and) she wild and young." (89) In the end, the "caged" wife found sovereignty with a man her age whom "(she swore) she'd love when she could spy an opportunity." (91) These adolescent women were still foolish enough to marry a man whom they did not truly love. For the man, it was about having a trophy wife, and for her, it was security for her future which meant she had to be "safely married." (266)

Contradictory to the thoughts and actions of the younger women, the Wife of Bath (Wife) was experienced and knew what to say to men and how to treat them. Twenty years the youthful women's senior, she had already openly expressed that she "(had) wedded five!" (259) She had been with older men "who (were) both (her) debtor and (her) slave," (262) and those who were "young, strong, (and) stubborn." (270) Through trials, she found that a woman must "let him think (she) was one enchanted," (274) so that she could be in his good graces. Whenever there was another lover outside of the marriage, she then could tell lies such as "I swore that all my walking out at night was just to keep his wenching well in sight," (269) and he would believe her mischievous words. The Wife of Bath also found that a woman should not be submissive to her husband; therefore, if he hit her, she would "(stand) up at once and smote him in the cheek." (280) She "owe(d) them nothing" (270) because "his pleasures were (her)profit(s)." (269)

Wife, a knowledgeable adult, who was once just as enticing as the youth, had grown up and was more selective of whom she chose to marry. Wife "had (her) world and time, (as well as her) fling(s)," (271) and that is what the young women were doing; having fun. They were not old enough to be "knowing wom(e)n (that could) always prove (their) husband(s) at fault." (264) May and the Miller's wife were under the false pretense that it was "better to marry than to burn." (260) The Wife of Bath, however, married only if she knew she would gain something out of the marriage, such as land or money. The younger women married considerably older men, not understanding sacrifice and the goal of marriage, which is to spend the rest of your life with someone you love and trust throughout any circumstance. The young women married old men who were vulnerable to losing their sight, such as May's husband, and even men who were jealous and did not fulfill the romantic needs of their young spouses.

Chaucer made a distinct depiction between young women who were lusty and considerably greedy and older women who had been through a lot and were enlightened when it came to marriage. Young women undoubtedly "have a curious fantasy in such affairs (i.e., speaking of disdainful love)...When something's difficult and can't be had, (they) crave and cry for it (i.e., real love) all day like mad." (272) The more experienced woman found no use in the man once "they'd yielded (her) their gold and land." (264) After reading The Canterbury Tales by Chaucer, one can understand that he is not being a misogynist by showing women as greedy and unfaithful, but in fact, he is showing how men can be easily deceived by clever women and love them through adultery and manipulation just to have a young beautiful wife to show off. In terms of women, he is explaining that it is difficult for a relationship to work when the spouses have different goals and a significant age difference. Chaucer is not putting one sex over the other, but giving advice on how he thinks a relationship between a man and a woman should be.

Canterbury Tales Essay

Question:

Using The Canterbury Tales by Geoffrey Chaucer, what can one infer about women by the way Chaucer portrays relationships throughout the book?

Thesis Statement:

Chaucer, who at times may seem like a sexist or misogynist by the way he portrays women in The Canterbury Tales, may actually be making a strong statement about the difference between an older more experienced woman and a young experimental woman. He does this by the reoccurring themes of unholiness and unfaithfulness of women in The Wife of Bath, Miller's, and Merchant's Tales.

Pardoner's Tale

The Pardoner of Geoffrey Chaucer's, The Canterbury Tales, is undeniably a greedy hypocritical man. He constantly preaches that radix malorum est Cupiditas, or greed is the root of all evil. Yet, he eventually admits that he is greedy and basically cheats people out of their money. Obviously, the Pardoner does not see much fault in his wrongdoings because " Jesu Christ...grant(s) pardon and relieve(s) you of sin." (257) He also finds that his "antics are a joy to see." (243) He claims that "anyone in the church guilty of sin (needs his) relics (to) acquit themselves of blame." (242) Yet, in the end, he could care less about what actually happens to them, whether they are relieved of sin or "blackberrying for all (he) care(s)." (243) At the end of the day, the Pardoner is satisfied as long as he has his pockets full of money.

Wife of Bath Inferences 2

1. She doesn't fancy the Church.

"Show me a time or text where God disparages or sets a prohibition upon marriages...Show it to me!" (260)

"And where did he command virginity? Advice is no commandment in my view." (260)

2. She is very opinionated.

"If you will let me speak...please don't be offended by my views." (263)

3. She is self-centered and selfish.

"They'd given me their treasure." ( 264)

4. She takes marriage loosely.

"I have wedded five! Welcome the sicth, whenever he appears. No sooner than one husband's dead and gone some other Christian man shall take me on...I am free to wed...where

it pleases me." (259)

5. She is greedy.

"In bed with them...(they) paid a fee; and then I let them do their nicety." (269)

6. She is controlling.

"I'll have a husband yet who shall be both my debtor and my slave...mine shall be the power over his proper body." (262)

7. She is a feminist.

"No one can be so blod- I mean no man-" (264)

"A knowing wife if she is worth her salt, can always prove her husband is at fault." (264)

8. She is insecure.

"We women hide our faults but let them show once we are safely married." (266)

9. She is educated.

"Sir Ptolemy who, in his Almagest, has set this proverb down..." (267)

Wife of Bath Question and Paragraph

What can one infer, using the Wife of Bath tale, about relationships between men and women and the quest for sovereignty over the classic dominant partner in a relationship, the male?

In majority of relationships between Alison, the main character, and her husbands, there was a more dominant person who sometimes unintentionally forced their partner to find sovereignty in the arms of another lover. Alison had previously been wed to five different men and awaited the sixth; yet, she had little or no respect at all for four of her husbands who yielded their gold and land to please her. In fact, Alison treated her men as her slaves more than sacred companions. It is possible to suggest that she was insecure about herself and how she was viewed by her mate; therefore, this attribute forced her to yearn to be the controlling or dominant person in the relationship. By doing so, she mischievously guaranteed her wealth and felt empowered.